Q & A with Chef Marc Cohen
Q. When did you start cooking?
A. I started cooking for myself while going to university in London, and found that I enjoyed it. Eventually, I was cooking for all of my friends in student hall. I started buying cookbooks and there were a couple that hooked me, like the French Laundry Cookbook by Thomas Keller, and the first St. John cookbook by Fergus Henderson. I ended up going to Leiths School of Food and Wine after finishing my degree.
Q. Would you call Lawrence a British restaurant?
A. I don’t think it’s possible to classify a restaurant as strictly adhering to one cultural influence very often. However, there are certain boundaries that I think are important. I’m not a fan of the cross-continental fusion concept. In my opinion, it combines elements that shouldn’t go together and it rarely brings about cohesive results.
I think it’s important to think of a menu as an album - it has to have a flow to it and it needs to have balance. It’s not about one track being great and then another track coming out of left field and being completely different in style. It shouldn’t be all over the map.
Q. What is British food, in your mind?
A. I think that most people largely perceive British food to be those ubiquitous dishes that we often see - bangers and mash, fish and chips, and steak and kidney pie. There’s much more to the cuisine than that. There are several classic Brit dishes and desserts that we don’t see as often.
Q. Why does British food have such a hard time shaking its bad reputation?
A. Well, there is the problem of those 3 or 4 ubiquitous dishes popping up all over the place and being badly executed. Also, British food can lean towards heavier fare like suet pastry and steamed puddings - perhaps that can get lost on some people. There’s also the use of offal, which has made a resurgence in British cooking - some people get freaked out by that.
Q. There is, nevertheless, a sort of renaissance that has happened in the British culinary scene. What has changed?
A. At this point, I think British cooking has fallen into step with progressive food cultures by using local ingredients and favoring simple execution, focusing on the quality of the product as the base of the dish. For me, Fergus Henderson (St. John Restaurant) is sort of the pioneer of the style in the U.K., the way that Alice Waters (Chez Panisse) is the pioneer of the style in California. In the U.K., I suppose we favor heartier fare than in California, for example, but the mentality behind it is the same.
Q. You visit the farms and producers that you work with when deciding who you want as your suppliers; the way that the animals are raised is a major consideration for you. Is that the norm in Montreal?
A. It’s starting to be more common here, but the responsible sourcing of products still seems to be a unique selling point here, something to advertise and make known. In some ways that’s beneficial to us because we do incorporate that ethos into the way we operate and it sets us apart from those who don’t prioritize the provenance of the products that they use. On the other hand, I would be far happier if more restaurateurs considered that approach to be the default rather than a selling point.
Q. Why do you do your own butchery?
A. If you want work successfully with small-scale sources, you have to. They don’t have piles of meat sitting around. When you call them to place your order, you’re asking them to go kill one of the animals for you. In that situation, you can’t really ask them to go kill a lamb because you want 3 lamb cutlets. If you want to run lamb cutlets for a week, you’re going to need 8 lambs. There’s no small farmer who’s going to kill 8 of his lambs, sell you the loins, and then try to sell off the rest of the animal elsewhere. However, if you work with a big distributor, they have that stuff all figured out. You get your ‘choice’ cuts, and then they’ll sell some of the rest for dog food, some of it to China, etc.
Q. Is finding a way to make use of all of the parts a challenge?
A. It’s a really nice challenge to have. I think it would be so boring to work with the same cut everyday. There’s something truly rewarding about starting the week with a whole animal in the fridge and ending the week having used the whole thing in various ways. It helps with writing an interesting menu; you know what you’ve got and you have to come up with having something to do with it. It’s quite different than having a blank order sheet and picking and choosing whatever you want. There’s something quite natural about getting a pig at the beginning of the week and working our way through it. It feels right.