Q & A WITH SEAN BROCK
Q. Tell us about your newest restaurant Husk.
A. Husk is like going to the farmers market, buying up all the beautiful stuff you can, without a budget, and coming home and saying what the hell are we going to cook? It’s the same exact thing we do at Husk. The idea is that we want to prove to the rest of the world that the South has the best food in the world. I’m talking about raw ingredients and tradition and history, and that is something I really believe.
Q. And you’ve given yourself strict rules and guidelines to work within.
A. We are only allowed to buy food grown or produced in the South. It’s pretty darn crazy. It handcuffs you and it says ‘look mister, you have to cook simple.’ Which works out perfectly because that is the idea of the restaurant. It’s about ingredients and this wood burning oven that we have.
Q. With everything coming from the South, what are your geographical boundaries?
A. That’s a great question and one we had to answer to order food properly. It’s about the Mason-Dixon line and down and that’s our South.
Q. And across?
A. Texas. We love Texas. If you think about it, it is the South. We found that all we really get from Texas is olive oil and all we get from Florida is citrus and this salt [Florida Keys Sea Salt], that is unbelievable.
Q. As you’ve been doing this, what ingredient has surprised you the most or maybe you under-appreciated?
A. Salt. Vinegar. Chocolate. Flour. All things that we take for granted.
We’re making our own fleur de sel. We have a fisherman that goes out to this area called The Charleston Shelf, and it’s just the most pristine waters and we’re dehydrating that sea water to make our own finishing salt. And we use a lot of salt from our friends on ‘Tabasco Island;’ there is a salt mine underneath Avery Island.
When you taste real salt, it’s like holy shit! I gotta learn how to season things again. The first couple of nights we were open, everything we cooked was so damn salty, because we were used to using what everybody else uses (like a kosher salt that chefs buy in boxes). All that salt has anti-caking agents in it and extenders to keep it from caking up. So, it’s diluted.
Q. You have such a specific idea for Husk, how do you change it for McCrady’s?
A. If you eat dinner at Husk on Wednesday and sit down and eat the tasting menu at McCrady’s on Thursday, you wouldn’t know it was the same chef. It’s really a lot of fun, because they are two completely different styles of cooking.
We want the food to not only be knock-down, drag out delicious, but intriguing and interesting. We won’t put a dish out of the kitchen unless its new, unique or interesting. If we’ve seen it before or it’s common, it won’t leave the kitchen. That’s how we push ourselves to create and be creative.
Q. Where does the inspiration come from?
A. When we create a dish, and same thing at Husk, I call it the PIE Theory: Products, Inspiration, Execution.
It starts with the products, we let them fall into our hands. We have enough of a relationship formed with fishermen, artisans, and farmers that when they harvest something beautiful, they call us. We find ourselves with a blank piece of paper and we walk around the kitchen and we write down all the ingredients. We sit down and okay, that’s the product part.
Then we choose the protein or the star of the dish; it could be turnips. Then we hold that ingredient and we taste it. We check the sugar level, really think about it and we look back to previous dishes and ideas. Maybe things we’ve read about and/or eaten or cooked and start being inspired. We let the product inspire us.
Then we talk about execution and you can dream up a lot of things, but can you do it when the dining room has 200 people?