Q & A with Photographer Todd Selby
Q. Tell us about your new book?
Photo Credit: Backyard Bill
A. The new book is called Edible Selby and it’s more than 40 shoots with food creatives from all over the world. They are my illustrations and my photos and their recipes. It’s a similar vibe to the first book.
Q. How do you pick who you want to be your subjects?
A. I think they should be doing something interesting with their food, what they’re making, and what they’re doing professionally. But it’s also about their space, because I’m inspired by peoples’ spaces.
Q. When you say their space, do you mean their work space?
A. Both, work and home. A lot of them are home kitchens and a lot of them are their workspaces too. When I was doing the food book, I conscientiously avoided stainless steel kitchens and florescent lights and people just chopping vegetables.
Q. That’s pretty hard to do to avoid.
A. It is hard to do that. But it’s kind of cliché and I think it’s quite boring. It was also very stressful when I got the book deal and decided to do it and I had nightmares. Oh God, I’m going to suck doing that. I tried to find places that really felt handmade and crafted and with a lot of integrity, places people get inspired by.
Q. Was fame a part of it at all when you were picking people?
A. If anything, it’s kind of a turn off to me. There are some people that are really well known that I really want to represent in the book, if they’re doing something really special. But I definitely avoided doing things just because someone was famous or someone was on television. It’s kind of a bonus that people don’t know them.
A few subjects in the book:
Mallorca | Sa Foradada
He’s a paella master in Mallorca, Spain. You’ve got to either take a boat or hike for an hour and a half to get there. He’s like this old man by the sea kind of thing that the locals know about.
[See details.]
Italy | L'Osteria Senz'Oste
In English, a rough translation is the inn without an innkeeper and that’s in Italy. It’s about an hour and a half outside of Venice in the hills where they grow prosecco. The idea of that place is that it’s kind of like this rustic farmhouse where you go and there’s literally no one there. You help yourself to prosecco and local cheeses, sausage and bread and eggs. You have kind of a picnic. There’s a price list and you just leave money in a piggy bank, so it’s an honor system.
[See details.]
Denmark | Noma
It was incredible! I had read so much about it that I wanted to do it. I also wanted to do it in a different way than other people have before. So I also shot the research institute that René Redzepi started called the Nordic Food Lab. That’s also a chapter in the book, so you can kind of see some of the research that they’re doing there and learn more about that because it’s really interesting stuff they’re doing. The meal there was incredible.
[See details.]
Tips | Food Photography
Please don’t use a flash. That just makes everyone mad and makes all the chefs and everyone in the restaurant hate you. It’s not going to make it look any better. The cameras in the phones are getting better, so hopefully in year or two you won’t need your flash and it’ll look good. You just slap a filter on there, Instagram it and you’re set.