Q & A with Chef Michael Laiskonis
Q. Since you first started at Le Bernardin, how have your pastries evolved through the years?
A. I think my work has evolved and matured on a few different levels in the last seven years. For starters, weaving my desserts into the greater vision at Le Bernardin required an initial paring-down to essentials. I began to embrace a relative minimalism that reflected Eric Ripert’s style, at least compared to the complex, multi-component form of ‘fusion’ we were practicing at Tribute in Detroit. As I developed that stylistic voice, I also began to focus less on innovation for its own sake, but rather on continual refinement, more intense flavors and contrasting textures. And while I’ve always had an interest in the intersection of cooking and science, in recent years that interest has manifested itself less in novelty and more on understanding the basic structure and composition of our ingredients and how they function in a recipe.
Q. How far along the savory spectrum will you tread in making your pastries? Any ingredient you really want to use, but are still tweaking?
A. At this point I think I’ve pushed that envelope to its limit, while exploring the grey area between sweet and savory. We’ve certainly played around with any number of vegetables, herbs, and even proteins -- bacon and chorizo, for instance. But I’ve also been pondering the potential of other animal fats, like duck fat.
I think it’s important that dessert needs to maintain a certain degree of sweetness, however minimal. A current fascination of mine is the role of spices-- how to utilize them in new ways and to full effect, to expand their role in my desserts. There’s a whole new world out there that I’ve always taken for granted. There’s a great shop that’s recently opened on the far west end of Hell’s Kitchen, La Boîte À Epice run by Lior Lev Sercarz, who also supplies bulk spices and blends to the restaurant.
[See details.]
Q. With the precision involved in being a pastry chef, do you think there is a certain personality type that fits the job better than others?
A. I like to think that food is food-- with more or less sugar or salt-- and that all cooks should approach all forms of cooking with the same set of sensibilities. But I won’t deny the fact that pastry seems to attract cooks of a similar stripe, those comfortable with a certain degree of precision and patience, as well as an autonomous spirit.
What really excites me are those chefs that are equally adept in both sweet and savory; Michel Richard of Washington DC’s Citronelle, for example, began as a pastry chef for the late Gaston Lenotre, and only later in his career opened restaurants taking control over the entire menu.
[See details.]
Q. Do you have any “lowbrow” treats you like... sweets you love that might surprise us?
A. Because I continually sample sweet stuff throughout the day, I tend to crave salty food by time I leave the restaurant at the end of the night. The funny thing is, after I’ve cooked dinner and had a chance to relax, that sweet tooth begins to emerge, somewhere around 2:00am. I’m not all that picky about what I use to satisfy this late-night urge; it might be a Snickers bar, a handful of Swedish Fish, whatever is lying around. Though they may seem at odds with the kind of desserts we do at the restaurant, I think the lowbrow treats are an important part of the whole continuum, and in some subconscious way probably serve as an influence.
Q. You have consulted with pastry shops in Japan. What do you love about creating pastries for the Japanese market?
A. Having studied Japanese language and culture while in high school, as well my time working with Takashi Yagihashi (now chef/owner of Takashi in Chicago), it seemed at once a natural fit to take on the project. While desserts have never been a strong part of the Japanese meal structure, in recent years there has been a growing interest in Western-style pastry. Most of these shops are located within department store depachika, sprawling food courts that have to be seen to be believed. I often say that some of the most interesting ‘French’ pastry has been coming out of Japan in recent years, yet it’s all filtered through their own aesthetic and often incorporates familiar flavors like green tea, sesame, or sweetened bean paste.
[See details.]
I’ve visited Japan only once, but still call upon many meals and food experiences for inspiration, from an early-morning tour of Tokyo’s awe-inspiring Tsukiji fish market to a traditional kaiseki dinner in Kyoto. Osaka, where I spent most of my time, has a particularly rich food culture.
[See details.]